In The News: Department of Art
UNLV’s Student Union Art Gallery showcases works created by eight Beginning Painting students in the exhibit “Seeing in Paint 2: Selections From Fall Beginning Painting.” Works by artists Emily Fisher, Sam Ganados, Micah Haji-Sheikh, Jasmine Hernandez, Olga Krolevich, Alina Lundquist, Jeremy Miller and Jessica Rios are on display through March 27.
Sunday will mark one year that Heather Harmon has been working to give the people of Las Vegas their first standalone dedicated art museum.
Spring has sprung (or has started to) in northern New Mexico (where our Southwest US editor Ellie Duke lives), and that means it’s time to come out of hibernation to explore the artistic offerings of the season. As always, there are many wonderful exhibitions, festivals, and art events taking place during the coming months throughout the southwestern US.
I define authentic as something derived from a lived experience. Every creative endeavor should be produced from a place of honesty. Creating any type of cultural artifact should be done in earnest. The world is already too cluttered with lies manufactured by disingenuous and profit-driven motivations. Keeping your creative space true is an exercise in freedom.
UNLV’s Student Union Art Gallery showcases works created by eight Beginning Painting students in the exhibit “Seeing in Paint 2: Selections From Fall Beginning Painting.”
This year, Las Vegas visual, literary, theatrical and performing arts scenes took several decisive steps forward. Here are just a few of the year's highlights.
Last Friday, Dec. 6, the Master of Fine Arts students at the ҳ| 鶹ýӳ held an open studios night. Andrea Heerdt dropped by to find out what they’re working on. She caught up with five of the program’s 12 MFA students and asked them to describe their current work. The biographical notes we included here are condensed versions of student bios provided by UNLV.
UNLV’s Master of Fine Arts candidates show off their recent works Friday at the Open Studios event.
The latest exhibition of work by Yasmina Chavez reminds me how protean she is, how flexible, how much she surprises you.
Southern Nevada–based artist Justin Favela’s work embodies the qualities of Las Vegas by affirming the startling originality of smart near-copies. Last spring, I visited Favela in his temporary studio at the ҳ| 鶹ýӳ. Reliably buoyant, Favela can shed light on seemingly any aspect of the folklore of contemporary Las Vegas. The complex and teeming overwhelm of the city imbues his work. In the studio, he mused on Siegfried and Roy’s late white tiger, the four-hundred-pound Mantecore, who bit Roy onstage at the Mirage and left him paralyzed.
A new sculpture behind the Strip pays tribute to old Las Vegas and the entertainers who helped put Las Vegas on the map.
Stewart Freshwater's North Las Vegas home doubles as a multispace studio. Stacks of drawings, sketches and art supplies fill the dining room, guest bedroom and even the master bathroom. Lacking the advantage of a north light window, Freshwater takes his work from room to room throughout the day, tempering the effects of inconsistent natural light, a major burden for many fine artists as the sun's angle changes.