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Gubernatorial candidate Phil Lyman has focused recent campaign messaging on Utah’s disputed status as a “sanctuary state.” The state lawmaker, who is running in the Republican primary against Gov. Spencer Cox, argued Utah is effectively a sanctuary state because U.S. Immigration and Customs Enforcement (ICE) officers are unable to hold migrants who break the law after entering the country illegally in county jails for extended periods of time.

Las Vegas isn’t good at documenting its art history. Does it matter? I've lately been racking what’s left of my brain for details of an old exhibit — a show by local artists who created work to protest Steve Wynn’s implosion of the Dunes. So, this would’ve been sometime in 1993, maybe? Organized by the then-newish Contemporary Arts Collective, it took place in a storefront on Maryland Parkway near UNLV. I think. I mean, it’s been a few years.

The world of this old Vegas-set video game remains so compelling, fans travel here to visit the real thing. As I stand in the Goodsprings cemetery, I do my best to be respectful of its residents, especially since only bona fide citizens of the town can be buried here. The place has a sepulchral serenity. Miniature American flags on headstones flap in the wind. There is a bench for contemplation. The sun shines all day. It’s a fine place not only to spend eternity, but also to reflect on the fleeting nature of life, the passage of time, and one’s own mortality.

Director L. Frances Henderson’s documentary This Much We Know (available now on VOD platforms) explores the topics of the Yucca Mountain nuclear waste repository and the suicide rate in Las Vegas, filtered through Henderson’s own personal perspective. It’s an often-impressionistic essay film, spending time with the family of Levi Presley, the 16-year-old who jumped to his death from the Stratosphere Tower in 2002, as well as with various experts on both Yucca Mountain and suicide. Henderson frames the movie as a way to process her own friend’s Las Vegas suicide, although the tone is more open-ended than definitive. Henderson spoke with Desert Companion about the process of making a film on such difficult subjects.

Las Vegas loses one of its classic casinos this week. NPR's Ayesha Rascoe talks with UNLV historian Michael Green about the glamor, gambling, and one-time mob connections of the Tropicana.

AARP Washington, BECU, and KING 5 hosted a free event to celebrate and support those who provide care for others at Town Hall Seattle. MSNBC news anchor, filmmaker and author Richard Lui cared for his father with Alzheimers over the last decade and he's become a passionate advocate for family caregivers. Dr. Kate Zhong, geriatric psychiatrist and founder of the Brainnovation Initiative at UNLV gave practical advice and info on the latest in brain research. KING 5 Evening host Jim Dever moderated the discussion.

Listen to this interview of Emma Frances Bloomfield, Associate Professor of Communication Studies at the ��ҳ| �鶹��ýӳ��. We talk about her novel analytical tool for helping you narrativize research! Bloomfield's new book is Science V. Story: Narrative Strategies for Science Communicators (U California Press, 2024)

Throughout its nearly 67 years in business, the Tropicana's ownership has changed several times, and some of its early history even involved the mob. "It opened April 4th, 1957, and it was called the Tiffany of the Strip," said Michael Green, a history professor and chair of UNLV's history department.

A look back at Tropicana’s six decades of legacy on the Las Vegas Strip.